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From: andsol@cml.rice.edu (Andrew Solberg)
Newsgroups: alt.pub.dragons-inn
Subject: Under Foot 4
Date: 16 Jun 1994 06:14:28 GMT
Organization: Rice University, Houston
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I am not overly large, but I have performed manual labor enough to have
strengthened my shoulders and back to the rigors of heavy lifting.  Only
a few moments were necessary before I managed to lift one corner of the
heavy flagstone and wedge a poker underneath it.  After a brief rest, I
crossed to the diagonally opposite corner and went to work with another
makeshift prybar.

Aeloth, one of the abbey's great hounds, stopped gnawing at the hamhock
I had given him and came over to see what I was doing.  He sniffed once,
briefly, at the opened corner of the trapdoor.  His eyes narrowed
immediately and a low growl crept out of his throat.  I stopped to watch
him.  His hackles were raised, and his muzzle was pressed practically
under the flagstone.  There had been no handholds on the smooth surface
of the shaft for anything to perch on, but I wasn't taking any chances.
I drew my mother's rapier, still sharp and well-oiled, from its scabbard
and laid it on the floor beside me before I set to work at the stone
once more.

I pried up the other side of the stone and propped the second poker
under it.  The flagstone was now fully out of its socket and resting
on the solid pig-iron bars.  I crossed to a third corner and looped one
end of my scavenged rope around it.  I threw it over the crossbar of
the roasting A-frame, braced my boots against a wall, and heaved.  The
stone scraped a few inches towards me.  I did this several times.  After
a few minutes, the flagstone was resting a full foot away from the
yawning mouth of the newly-reopened shaft.  I had singlehandedly moved
a 200-pound stone out of its socket, a job that had required two strong
neophytes with prybars.  Not bad for somebody shy of five feet tall.

Aeloth peered down the shaft; I joined him at the edge.  It looked the
same as it had earlier: smooth, slick walls; impenetrable darkness;
no waterline visible.  The hound was no longer growling but his fur still
stood on end.  He stared down into the shaft at something I couldn't see.
I was pretty sure there was nothing there he could see, either.  At least,
I hoped that was true.

I dragged the A-frame over the shaft.  I wrapped several oily cloths
around the top crossbar and tied them off.  Then I looped my rope around
the padded bar.  I fashioned a crude sling out of my greatcoat and seated
myself in it tightly, tying the sleeves to my rope.  I was ready to descend
into the depths.  I resheathed my sword, lit the lantern, and played the
free end of the rope down into the darkness.  I sat down in my sling,
gripping the other end of my pulley rope tightly, and let myself down
gingerly.  I sank slowly into the shaft.

Aeloth whined as I descended.  I scratched his ears and lowered myself
below the floor level.  Soon I forgot the damn dog had ever existed.

The lantern was a good one, large and well-sealed, and it had a window
for narrowing a beam of light.  I had the window closed and the hood
off, for I wanted to see what was all around me.  I hung the lantern
from a kerchief around my neck, as some miners do.  It gave off very
little smoke, but in the confines of the shaft it seemed like a chimney.

The walls were close and slimy.  I looked at them carefully.  The slime
was faintly luminescent; if I doused my light and let my eyes adjust,
I might even be able to see a bit by them.  I wasn't going to test
this theory, though.  Then I noticed the frescos.

They were so faint and rotten and begrimed that I almost missed them
entirely.  They had probably been painted with some kind of egg-white
base, which always rots away with time, especially in damp climes.
Every square inch of the shaft was covered with them.  I knotted off
my rope and took a closer look.

They were fabulously done.  Some great painter, once upon a time
(hundreds of years ago, most likely) spent untold hours in this crowded
shaft painting gloriously colorful, lively scenes.  There were panels
showing a beautiful sunny sky over an ocean, and then another showing
a terrible storm that sank many ships, and then another showing dams
breaking and fields flooding, and then......

I realized with a start that I was reading the Creation myth.  Panels
spiraled down the shaft, telling the familiar religious story.  Here,
for instance, was the tale of the great Deluge, wherein Nahao built
his Arkus and took the Father and Mother of all animals to the Mount
of Solitude.  The story wrapped itself around the pit and disappeared
into the darkness.  Here, it seemed, were the religious beliefs of
the Fellows of Light, told in beautiful and wordless panels of paint
and stone.  

I noticed that there were blank panels at regular intervals -- not
smudged or partially eradicated, but totally gone, as if they had
never existed.  Furthermore, they did not seem to represent any kind
of break in the familiar story, and they did not seem to mark any kind
of pause or chapter.  I realized that the blanks spiraled down faster
than the story did.  Following a hunch, I picked at one of the blanks  
with a small knife.  Darkened, rotting wood splinters came away.

The blanks were where some kind of wooden construction, now likely
lying shattered far below, once jointed into the sides of the walls.
Shallow depressions in the stone once seated wooden beams which
circled down into the depths; likely the framing for a narrow staircase 
or ladder.  The Fellows, I surmised, could descend into this comfy little
hidey-hole of theirs while reading their own myths and legends.  A nice
little set-up, I thought, and felt somewhat less gloomy and threatened
in the ruined shaft.  

I descended once more, but came up short as I ran out of rope.  I cursed
myself for forgetting: I had only taken about forty feet of hemp; doubled
up, that gave me only about twenty feet of reach.  Of course I couldn't
go any further!  I would need more rope, obviously; my unauthorized
little venture into the depths was going to come up a little short in
the booty department.  Warder Iolus might get a kick out of the frescos,
I supposed, but knowing his grim demeanor I thought it unlikely.  I
was about to start back up when my lantern flashed on something metallic.

It was below me, about four feet down.  I knotted off the rope and looked
closer.  Sure enough, something gleamed quite nicely in the lamplight.
It was set back in a kind of niche in the shaft wall, but its dully bronze
glow reflected back well enough.  There's only one thing that shines that
yellow color that stays untarnished in a hothouse for years, and that's
gold.  Believe me: I should know.

I was unwilling to leave the shaft emptihanded, especially when I had
come so close to getting something valuable.  I tied the lantern off
on the rope and, seizing the hemp further up, hefted myself bodily out
of my sling.  I hooked my boots in my greatcoat, making sure they snagged
securely, and gently swung myself upside-down.

I smacked my forehead on the shaft wall, but I regained my bearings soon
enough and reached into the niche with both hands.  They closed around
something smoothly cold and hard.  I fished it out -- clumsily, as it
turned out to be dreadfully heavy.  It was a candelabra with three tines,
and the scraps of old candles falling to pieces in the sockets.  It was
without question gold, and it was in good condition.

It took me several minutes, acrobatic though I am, to right myself and
stow my swag properly.  A short rest later, I was hauling on the rope
and pulling myself to the surface.  It was hard work, but I very much
wanted to see the look on Iolus' face when I showed him the water I
had drawn from his 'well'. 


TBC

-- 
HWRNMNBSOL  (andsol@cml.rice.edu)  H:(713)794-0021                 
Rice University, Department of Mathematics: Long Division Specialist       
"FORD, REAGAN NECK IN PRESIDENTIAL PRIMARY" -- Ethiopian Herald, 2/24/76
Disclaimer: Rice University will deny this conversation ever happened.

